So Friday was the first day of the Beautiful Days festival. Thanks to a load of stuff I had to do in the morning, I didn’t arrive at the site until halfway through the afternoon, so I missed The Levellers opening proceedings with an acoustic set in the Big Top. The weather was kind though, and although it wasn’t exactly warm, it did stay mainly dry. I say “not exactly warm” – it’s surprising just how hot it gets in the photo-pit at the front of the stage, dashing backwards and forwards to get the right position for the best shots, avoiding stepping on other photographers, and making sure you get the shots you want at one side of the stage while keeping an eye on what’s happening on the other side. And if it’s a band that you know and love, it can be hard to take photos while singing along!
So who was I lucky enough to see on the first day of the festival? Nick Harper (who I should’ve seen before, but somehow haven’t), Duke Special, the utterly brilliant and terrifyingly exuberant Ned’s Atomic Dustbin (just keeping the camera pointing at the lead singer as he bounced around the stage was near impossible!), a much more laid-back Fairport Acoustic Convention, all in the Big Top, and then I headed over to the Main Stage for the day’s headline act – Newton Faulkner.
I’ll admit that I’ve never been overly keen on Newton Faulkner. I think that could be because he seemed to break onto the mainstream music scene at the same time as a whole bunch of other musicians who all seemed to sound very similar and blend into one another. I was converted on Friday night though – I enjoyed his music very much, but his low-key performance (there was just him on the large stage, very carefully lit, with a single chair to sit on, a guitar and its associated bits of kit) was rather engaging. Here he is in all his ginger, dreadlocked, grinning glory.
